In Halo games the vacuum, mop and dust rag have been the gun, the grenade and the melee. Someone once said that video games were really just about cleaning, about finding the right tools to scrub enemies from a scene. Shooters engage people as a presentation of conundrums that last as long as a quick exchange of gunfire and that are eligible for a painless do-over after any failure. Petraeus would be.Īs interesting as the settings and situations are in Halo and Black Ops II, they’re practically irrelevant to those who enjoy these games. The game’s defense secretary in 2025 is voiced by an actor and mostly just stands around, loyally serving a Hillary Rodham Clinton look-alike president, his programmers doubtless unaware of how unintentionally odd their inclusion of Mr. Oliver North, the Reagan-era national security aide at the heart of the Iran-contra affair, advised the production, though his in-game cameo will now raise fewer eyebrows than will the appearance, in virtual form, of the newly resigned director of the Central Intelligence Agency, David H. In a level set in 2025, American drones are reprogrammed by a terrorist to bomb Los Angeles. In one level of Black Ops II, set in the 1980s, the Afghan mujahedeen turn their guns on their American friends. The other game is a mélange of American anxieties about the backfired partnerships of the cold war and the continuing drone warfare of today. One is sci-fi and allows the odd romance to flicker between our faceless supersoldier hero and the voluptuous, artificially intelligent female hologram who tells our supersoldier where to go to find the next aliens to shoot. One game bellows barely intelligible space opera the other spits out well-chewed Tom Clancy mixed with James Bond.
Because even though shooting is the core of these games, it’s neither what obviously distinguishes them nor what the marketers of these games or even your own eyes might suggest define them. Halo 4 and Black Ops II both qualify as very good new shooters, though in surprisingly different ways.īut first, some context is needed. It’s armed checkers or chess with no resting for turn taking.
A good shooter game is a laboratory for tactical decisions and a test chamber for your reflexes and wits.
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Shooting in video games is ultimately the connecting of Point A to Point B, the elimination of one set of shapes, representing the enemy, from a TV screen to keep another arrangement of shapes, representing you, illuminated and ready for the next encounter.
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